Romeo and juliet sassy gay friend

Rather, it merely adapts one particular scene, yet a crucial one that affects the overall reading of the play. On the one hand, their relationship is idealised, conveyed through stylised rhetoric. He is not more masculine than her, and Juliet just about as feminine as Romeo.

What will we react to next? He thus reveals a self-deprecating delight in his pain which translates into stylised, melancholic, Petrarchan language. Videos such as the Sassy Gay Friend series and its spin-offs or adaptations equally take part in these processes of identity re production.

Abstract This essay offers a presentist reading of Romeo and Juliet in light of the political move to secure marriage rights for same-sex couples in the United States. Nonetheless, her unconventionally dominant behaviour conflicts with Renaissance gender norms and patriarchal discourses that require her to be silent and submissive.

At the same time, it critiques the recent anti-social, queer theoretical tendency to disassociate queerness from both gay identity and critical efforts to historicize desire. Have suggestions for reactions? O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh.

Within her defiance of parental authority, too, Juliet is more daring than Romeo. Find out when our next Live React is! Here, here will I remain With worms that are thy chambermaids. At the end of the video, Juliet therefore changes her mind and exits the tomb together with the Sassy Gay Friend.

Here, she explicitly considers suicide an option, but her reaction is rational rather than impulsive; taking her own life would only be the last resort. Eyes, look your last; Arms, take your last embrace, and lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death.

Contrary to Juliet, Shakespeare builds up Romeo as suicidal from the outset. On the other, from the outset, love and desire are introduced as destructive forces, which subverts an overly romanticised reading of the play.

As the short adaptation of Juliet’s suicide scene suggests, Shakespeare presents the lovers’ deaths as far from inevitable.

On the whole, then, the notion of user agency — if ever so slightly illusory, as already a brief glance at the algorithm-driven user interface betrays — are at the heart of YouTube. At the beginning of the video, he is already dead, and so his fate could not have been avoided — not even if he had a Sassy Gay Friend.

In the case of Sassy Gay Friendthis even works in a twofold way, as the series has in turn been adapted by individual YouTubers, who have filmed their own episodes with new characters. The only character able to choose, it is suggested, is Juliet. Well then what are yo.

What, what, what are you doing? In both the play and its. Even though not necessarily indicating defeat, resignation, or even weakness, all of them can be read as responses to the patriarchal structures surrounding them; in other words, they are reactions to male action, albeit connoting varying degrees of self-empowerment.

Romeo and Juliet Sassy : Enter Sassy Gay Friend! This compilation special brings together every episode of the viral sensation, packed with sharp wit, dramatic interventions, and the iconic catchphrase: "Look at your

Follow us on Twitter to stay updated. The moment right before Juliet plunges the dagger into her heart is adapted by the YouTube series Sassy Gay Friendcreated in by the impro theatre company The Second City. She takes the initiative in advancing their relationship, with an eagerness to act on her desire.

This fate could have been avoided if she had a Sassy Gay Friend. According to Catherine Belsey, on the spectrum between masculinity and femininity, Romeo and Juliet therefore find themselves in roughly the same position. It is noteworthy that even before her suicide, Juliet appears the stronger of the two, not least because Shakespeare develops her more fully and gives her an unusual amount of backstory.

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Identifying the Second City Network’s character of. She is about to take her own life. As I have argued elsewhere, the notion of agency also plays a role with regard to all the other suicides Shakespeare dramatizes, particularly those by female characters.

Anyone with access to a computer can come up with their own version of or response to a particular Shakespearean text and send it into the digital cosmos. This essay considers the Romeo and Juliet-themed episode of the YouTube series Sassy Gay Friend, exploring the ways in which this somewhat unlike source arrives at a nuanced reading of Juliet’s suicide and its link to female agency.